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superpawn DVD's Jul 27, 2010 bought 13 items and were all shipped together. postage costs were $8.00 but i was charged $35.00,,,,,, should develop a policy on combined shipping.
Good movie, good buy Jul 16, 2010 This is a very good DVD and was an excellent buy, and the shipping was great.
Entertaining DVD Apr 27, 2010 A ton of action and thrills in this one, a great performance by Denzel, well worth the price!
1 of 10 found the following review helpful:
profanity and blood Feb 14, 2010 I did not like Denzel Washington in this type of movie. The movie was full of violence and vulgar language. If I had known this, I would not have purchased it from Amazon. I like Denzel Washington in family type movies or movies of other types, but not this one.
The Godfather meets The French Connection Jan 19, 2010 For the longest time, it has been argued that the godfather (from the movie of the same title) is not about Vito Corleone but about Michael Corleone because it is about his ascent/descent into the underworld. And, at the very end, he is the godfather to Connie's son while his rivals are being executed. In the same respect, I had to wonder about who the real gangster is here: Frank Lucas (Washington) or Special Detective Truppo (Brolin). While we do watch Lucas' burgeoning success as a drug dealer, it is Truppo who acts with the viciousness of a gangster. He and his flock of black-jacketed, vulture-like crooked cops are more terrifying and brazen than Lucas. Lucas acts with compassion at times--even while burning an enemy alive in the opening sequence, he mercifully blasts him away before the flames can prolong his agony. In fact, any time he resorts to violence seems forced. Truppo has no compunction about saying things like "Maybe next time I throw you and your brother in the river." In fact Truppo is a nemesis to both Lucas and Officer Roberts (Crowe). His malevolence is everywhere.
Then, like "The French Connection" it is about the complex world of drug-trafficking and the frustrations of law enforcement to understand it--especially in the wild and wooly days of the late-60s to late-70s. Crowe does an exceptional job of expressing this frustration and confusion (he cannot believe that a Black man could do what the Italian Mafia could not--monopolize the drug trade in all five boroughs and then the outer counties, including New Jersey). To make matters worse, Roberts has to contend with the corruption in his own department.
All this makes for a dark but engrossing film that leaves you impressed with director Scott's ability to recreate a world that has vanished a few decades ago, at least in appearance.
So why not a perfect score? Two things: First, the prolonged scenes concerning Roberts' divorce are way too distracting. While I love looking at Carla Gugino, her thankless role in thankless scenes detract from the film's pacing. Second, the second disc--with its self-congratulatory nods to the costume designers, set designers, fried egg designers--really aren't worth watching. The only thing on that disc worth watching is the discussion between the real Frank Lucas and the real Richie Roberts. And even that discussion is marginally interesting. Still, this is a set worth owning.
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